Experimenting with prompts. I think these go well together.
I have to confess, I did something a little naughty... I traced over a photo for this picture. Don't worry, it's my own photograph! Mostly wanted to test out some coloring and toning techniques without starting something from scratch. I'm slowly building up a technique that works across both digital and traditional mediums.
Here is an artwork from last year, based off the same photograph. I like both versions but this one is my new favorite. The colors are much moodier and more exaggerated.
I painted this in March - April of 2020. Just recently I was looking at it again and felt it could use some more detail. I used a green posca marker to add definition to the leaves, and glazed the painting with a layer of phthalo blue. I used q-tips for the wispy sfumato look.
Once this layer of glaze dries, I plan to add a few more details, then call it a day - for a second time!
View the rest of this post to see some progress pictures.
A small practice piece featuring some coral-pink flowers. Once this dries, I would like to add some additional detail to the flowers.
These were drawn during a slow day at work yesterday. Setting up a good drawing gives me something to look forward to later in the day. The bigger one is 5x5" wood coaster from Michaels. Got a big pack of them for a decent price and I thought why not. The little one is a 3x3" canvas. The arts and craft store tells YOU what to buy.
I alternated between the two drawings but focused on the flower. It is my second attempt at the trumpet flower, and this came out much better than the original. Credit to using new brushes (they had discounted Princeton brushes at Michaels!), actually using my reference photo this time, and being more mindful of matching colors to value placement.
Paint colors used for the flower:
Colors used for background:
For now, the eye painting is still in the underpainting stage. I haven't decided which colors to use yet. I am thinking of doing a series of eye paintings in fun colors.
I haven't done any digital photo studies in a while, much less my beloved five-minute grayscale studies. What better time than now? I took a different approach this time. Treating it like a sketchbook page. Just start drawing and see where it goes. I started off at 5 minutes per sketch before moving on to the next picture. But after that I took a few extra minutes to fine-tune the details.
These are all based on photos from early fall of 2010. Ahh, what a time!
This isn't really my best work but I do love the colors. The underpainting was done in shades of neon yellow and orange. Ultramarine blue for the backdrop. I used cooler colors to paint on top: titanium and zinc white, mixed with hints Persian rose, titanium buff, and king's blue. For the backdrop I painted over it with emerald green.
The main reason this didn't come out to my liking is because I didn't consult my reference as much as I should have. But it's all just practice. Instead of going back to make changes I would rather just start over completely.
10.3.23 update: Click here to see my second attempt!
A progress update on my Maui waterfall. This is not my most recent update as I've made significant progress since then. But I will save the final update for later!
The goal was to keep the palette as limited as possible. Introducing new colors into the mix comes later. I'm having a lot of fun with this.
During my summer vacation I encountered some big fat lovely hydrangeas. Later I drew this in my sketchbook over the summer and colored it on my ipad. Took a while just because I only take out the ipad when there's absolutely nothing to do. But I quite like how she turned out. I have a Procreate timelapse that I'll post later.
The dust is starting to settle over here and I'm ready for some new art adventures!
I haven't done much art in the past couple weeks due to moving and general stress, but the dust is starting to settle. New art, digital or traditional, is always a good sign!
Yesterday I started coloring this sketchbook drawing of a waterfall in Maui. The goal is to approach this as if it were a physical painting. My program of choice is Paint Tool SAI version 2.
Some fun things I did to increase the painterly effect:
The goal is to paint everything on this one layer to give it a solid foundation. The intention of this layer is to establish color and important forms, but still look as finished as possible. This is my digital equivalent of painting alla prima. The marker brush blends heavily and picks up other colors.
I am aiming for expressive colors and forms. I don't want a photorealistic picture of the waterfall. I want to show you what a photograph cannot. It is an exercise in design, creativity, and curation of elements.
She's coming along well. Next I will decide which details to emphasize. The coloring is fairly 'realistic' style but maybe I can take it in a funkier direction.
I know next to nothing about flower or plant identification. I could point out a pineapple maybe. Everything else I need to google. Apparently this flower is called verbena bonariensis, aka, Meteor Shower! Love it!!
Here is my first coloring attempt. I have not been doing much digital in general lately. Things are hectic and I'm not doing well mentally, but once the dust settles, I should have the proper energy and focus for digital art again. Right now, I feel antsy and listless with digital art, just because it's not tangible like my oil paintings. It just doesn't seem real, and right now I need something to ground me in reality.
So, here's a work-in-progress of version 2. I've learned a lot of lessons from painting in the past several months, and am applying them to my digital methodology. This includes being more deliberate and focusing on specific spots. Usually I will messily paint over the entire image and fine-tune later. But this new approach is more like painting in real life: in a physical setting, paint is limited, and there is more strategy involved. I want to bring that slow, deliberate consideration to my digital artworks.
Maybe I am bored by digital lately because it feels too forgiving if you make mistakes. You can Ctrl+Z. You can experiment with different colors and effects, all just a click away. Meanwhile, I would liken traditional art to a brain teaser puzzle: you have to carefully consider every move you make, or else it's game over!
This was colored in Procreate on my ipad. Using the underpainting method has made it much easier to do digital art on my ipad. It's cool, but so clunky. I definitely prefer doing it on my computer with a tablet.
I was hoping to finish this before September but that just did not happen. So here is some documentation of where I'm at. Because I'm coloring this on my ipad I only make progress when I'm in a waiting room or having a really slow day at work.
Oh, since this is in Procreate, that means I will get a timelapse video at the end! Yay!
Some small practice paintings inspired by a visit to the Chicago Botanical Garden in 2018. I got a nice opaque pink paint (Cobra permanent red violet light) that would be perfect.
The goal is to keep a limited palette. I wanted to stick to three colors if possible, and only introduce other colors if they are particularly necessary.
Once this dries I want to add another layer of color depth.
Colors used:
I think this one is a dinner plate hibiscus flower.
Here's one I started last night. I primed the surface with yellow ochre acrylic paint and drew on top. Then I toned it with burnt umber and pale rose blush.
Finished my digital scenery painting of the orange lilies. Here is my earlier progress.
I really enjoyed experimenting with textures and abstract shapes. Since the lilies are the focal point, they get more attention to detail. I'm happy with how colorful she came out and I'm looking forward to more. I've been feeling burnt out with digital, but experimenting with traditional art has inspired me to look at art in a new way. It is a constant back and forth conversation.